The present contribution reviews the main sources on the topic of “dance” in several works of the medieval Arab culture. Different fields are analysed: a historical perspective trough al-Mas‘ūdī’s Murūǧ al-ḏahab, a religious point of view by al-Buḫārī’s in his al-Ǧāmi‘ al-Ṣaḥīḥ, a poetic description by Ibn Ḥamdīs, a philosophical approach by al-Fārābī in his Kitāb al-musīqī al-kabīr, a legal opposition by al-‘Abdarī and many other jurists. The artistic field is also considered, with the presentation of a wall paint and some minia-tures. The main purpose of this study is to highlight the strong presence of dance in the Arab Middle Ages, showing how it has been playing a multifaceted role in the Arab civili-zation, since ancient times up to the contemporary era.
NOTA SULLA DANZA NEL MONDO ARABO MEDIEVALE
Oriana Capezio
2017-01-01
Abstract
The present contribution reviews the main sources on the topic of “dance” in several works of the medieval Arab culture. Different fields are analysed: a historical perspective trough al-Mas‘ūdī’s Murūǧ al-ḏahab, a religious point of view by al-Buḫārī’s in his al-Ǧāmi‘ al-Ṣaḥīḥ, a poetic description by Ibn Ḥamdīs, a philosophical approach by al-Fārābī in his Kitāb al-musīqī al-kabīr, a legal opposition by al-‘Abdarī and many other jurists. The artistic field is also considered, with the presentation of a wall paint and some minia-tures. The main purpose of this study is to highlight the strong presence of dance in the Arab Middle Ages, showing how it has been playing a multifaceted role in the Arab civili-zation, since ancient times up to the contemporary era.File | Dimensione | Formato | |
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QSA 2017_Capezio_Nota sulla danza araba in epoca medievale.pdf
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