Catalogo Ricerca UniOR

Catalogo Ricerca UniOR: [27044] Home page macrotipologia

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1 Contributo su Rivista 9775
- 1.1 Articolo in rivista 8164
- 1.2 Recensione in rivista 1422
- 1.3 Scheda bibliografica 31
- 1.4 Nota a sentenza 45
- 1.5 Abstract in rivista 9
- 1.6 Traduzione in rivista 104

2 Contributo in Volume 10626
- 2.1 Contributo in volume (Capitolo o Saggio) 8446
- 2.2 Prefazione/Postfazione 443
- 2.3 Breve introduzione 177
- 2.4 Voce (in dizionario o enciclopedia) 1013
- 2.5 Traduzione in volume 230
- 2.6 Recensione in volume 32
- 2.7 Schede di catalogo 285

3 Libro 2071
- 3.1 Monografia o trattato scientifico 1605
- 3.2 Concordanza 1
- 3.3 Indice 5
- 3.4 Bibliografia 6
- 3.5 Edizione critica 93
- 3.6 Pubblicazione di fonti inedite 16
- 3.7 Commento scientifico 27
- 3.8 Traduzione di libro 318

4 Contributo in Atti di Convegno (Proceeding) 2501
- 4.1 Contributo in Atti di convegno 2370
- 4.2 Abstract in Atti di convegno 113
- 4.3 Poster 18

5 Altro 725
- 5.01 Composizione 7
- 5.02 Disegno 0
- 5.03 Design 0
- 5.04 Performance 0
- 5.05 Esposizione 3
- 5.06 Mostra 28
- 5.07 Manufatto 0
- 5.08 Prototipo d'arte e relativi progetti 0
- 5.09 Cartografia 20
- 5.10 Banca dati 67
- 5.11 Software 13
- 5.12 Altro 552
- 5.13 Tesi di dottorato 35

6 Brevetti 0
- 6.1 Brevetto 0

7 Curatele 1346
- 7.1 Curatela 1346

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The Organization of Petroleum Exporting Countries (OPEC)

This chapter analyzes the history of OPEC from its founding to the second energy crisis, clarifying the organization’s transformation from a leading global oil producer to a significant international financial institution. The chapter commences with a succinct summary of the preliminary activities of Venezuela and Iran prior to the formation of the OPEC Treaty Organization. These activities were executed to cultivate a cohesive alliance among Arab and non-Arab oil producers, aiming to counter...

Abisso umoristico e pulsione dionisiaca nel teatro di Nicola Vicidomini

This essay explores the distinctive theatrical style of Nicola Vicidomini, a performer who fuses grotesque comedy, extreme vocal experimentation, and physical expression to craft a deeply Dionysian poetic humor. Through works such as Scapezzo and Fauno, Vicidomini deconstructs language and traditional narrative, creating a chaotic, deformed, and visceral stage presence that induces catharsis in the audience. His theatre challenges anthropocentrism, evoking an archaic return to lyrical tragedy...

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