The aim of this paper is to theoretically compare some forms of aesthetic expressions and linguistic models that represent today's crisis (cultural, political, economic crisis) on a different way and to proof their possible symbolic and performative ability to use perception constructively as material for common experiences. In particular, four approaches - 'Piketty's Aesthetic', relational aesthetic, art installations, Flashmobs - are considered as direct or indirect 'answers' to the crisis.

Ästhetiken der Krise. Strategien zur Überwindung eines kollektiven kritischen Zustandes.

Elena Tavani
2022-01-01

Abstract

The aim of this paper is to theoretically compare some forms of aesthetic expressions and linguistic models that represent today's crisis (cultural, political, economic crisis) on a different way and to proof their possible symbolic and performative ability to use perception constructively as material for common experiences. In particular, four approaches - 'Piketty's Aesthetic', relational aesthetic, art installations, Flashmobs - are considered as direct or indirect 'answers' to the crisis.
2022
978-3-631-88919-0
Das Ziel des vorliegenden Beitrags ist es, einige ästhetische Ausdrucksformen und sprachli-che Modelle, die die heutige Krise (kulturelle, politische, Wirtschaftskrise) unterschiedlich darstellen, theoretisch zu vergleichen und in ihrer möglichen symbolischen und performativen Fähigkeit, Wahrnehmung konstruktiv als Material für gemeinsame Erfahrungsentwürfe zu nutzen, zu überprüfen. Dazu werden insbesondere vier Ansätze – ‚Pikettys Ästhetik‘, relatio-nale Ästhetik, Kunstinstallationen, Flashmobs – als direkte oder indirekte ‚Antworten‘ auf die Krise betrachtet.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11574/184473
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