In this article, I would like to propose an alternative and long view of the “1968” which is grounded in Black liberation movements, Afrodiasporic cultures, neighborhood-based organizations and sustained and propagated by music and sound. Venturing into this alternative history, I consider the Bronx, Harlem and Naples, Italy, as networks of resistance and nodal junctures for the transmission of Afrodiasporic cultures of opposition. Connecting the mutual influence of global social movements, music and neighborhood-based organizations, my article is also an invitation to start thinking about history through acoustic/musical resonances.

Inner City Blues: Blues Legacies and the Roots of 1968

Buffa Alessandro
2019-01-01

Abstract

In this article, I would like to propose an alternative and long view of the “1968” which is grounded in Black liberation movements, Afrodiasporic cultures, neighborhood-based organizations and sustained and propagated by music and sound. Venturing into this alternative history, I consider the Bronx, Harlem and Naples, Italy, as networks of resistance and nodal junctures for the transmission of Afrodiasporic cultures of opposition. Connecting the mutual influence of global social movements, music and neighborhood-based organizations, my article is also an invitation to start thinking about history through acoustic/musical resonances.
2019
Inglese
12.2
1968: Transnational Legacies, guest-edited by Kryštof Kozák
127
139
13
Esperti anonimi
1
Buffa, Alessandro
info:eu-repo/semantics/article
262
1 Contributo su Rivista::1.1 Articolo in rivista
none
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11574/190735
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