This paper aims to analyze the first theatrical work written by Sa'd Allah Wannus, al-Hayah Abadan, and the articles he published in 1961 on the pages of the Lebanese magazine al-Adab. These works bring to light a phase in intellectual formation that remains still unexplored and, in particular, highlight the influences of nationalist and existentialist thought during the very first phase of his intellectual and writing career.

La vita, sempre!: gli esordi del drammaturgo siriano Sa'd Allah Wannus

Ruocco Monica
2020-01-01

Abstract

This paper aims to analyze the first theatrical work written by Sa'd Allah Wannus, al-Hayah Abadan, and the articles he published in 1961 on the pages of the Lebanese magazine al-Adab. These works bring to light a phase in intellectual formation that remains still unexplored and, in particular, highlight the influences of nationalist and existentialist thought during the very first phase of his intellectual and writing career.
2020
Italiano
Maria Avino, Ada Barbaro, Monica Ruocco
Maria Avino, Ada Barbaro, Monica Ruocco
QAMARIYYAT: OLTRE OGNI FRONTIERA TRA LETTERATURA E TRADUZIONE. STUDI IN ONORE DI ISABELLA CAMERA D’AFFLITTO
427
439
13
978-88-97622-62-8
Istituto per l’Oriente C. A. Nallino
Roma
ITALIA
Comitato scientifico
Teatro Arabo, Riviste arabe, Teatro siriano
Internazionale
1
Ruocco, Monica
2 Contributo in Volume::2.1 Contributo in volume (Capitolo o Saggio)
268
internalNetwork
info:eu-repo/semantics/bookPart
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11574/193479
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