César Vallejo’s literary production includes a short novel in the fantasy genre, Fabla Sal-vaje, and other stories of the same genre, like «Los caynas», included in 1923 in the sec-ond part of the short story collection Escalas. The first part of the volume is a sample of Vallejo’s prison literature, written and published within the walls of the Trujillo peniten-tiary, where he was imprisoned from November 1920 to February 1921. The aim of this article is to detect the relationship between the fictional elements of Vallejo’s fantastic production and the Latin American discourse on the exclusion of otherness from the modernizing project and the construction of a racialized social separation.

La literatura fantástica de César Vallejo: marginalidad y política en "Los Caynas"

Andrea Pezze
2022-01-01

Abstract

César Vallejo’s literary production includes a short novel in the fantasy genre, Fabla Sal-vaje, and other stories of the same genre, like «Los caynas», included in 1923 in the sec-ond part of the short story collection Escalas. The first part of the volume is a sample of Vallejo’s prison literature, written and published within the walls of the Trujillo peniten-tiary, where he was imprisoned from November 1920 to February 1921. The aim of this article is to detect the relationship between the fictional elements of Vallejo’s fantastic production and the Latin American discourse on the exclusion of otherness from the modernizing project and the construction of a racialized social separation.
2022
La producción literaria de César Vallejo incluye una novela breve de carácter fantástico, Fabla Salvaje, y otros cuentos del mismo género, como «Los caynas», recogidos en 1923 en la segunda parte de la colección de cuentos Escalas. La primera parte del volumen, en cambio, es una muestra de la literatura carcelaria de Vallejo, escrita y publicada entre las paredes de la penitenciaría de Trujillo, donde permaneció preso de noviembre de 1920 a febrero de 1921. El objetivo de este artículo es detectar la relación entre los elementos ficcionales de la producción fantástica de Vallejo y los discursos sobre la exclusión de la otredad del proyecto modernizador y la construcción de una separación social racializada.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11574/207517
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