Mimo udręczonej rzeczywistości narodowej, wiara w przyszłe odkupienie Polski oraz idea przemiany i oczyszczenia zrodziła w dziełach polskich romantyków nadzieję zbawienia, nadejścia Bożego królestwa na ziemię. Niewątpliwie przyczyniła się do narodzin tej optymistycznej wizji, która zadomowiła się w nowej, mistycznej atmosferze początku XIX wieku, Polski jak „Chrystus narodów”, która łączyła się z chrześcijańskim eschatologizmem, rewolucyjnymi dążeniami i nadziejami na przyszłe odkupienie historii. Apokaliptyczne i millenarystyczne motywy obecne w Boskiej Komedii niewątpliwie przyczyniły się do umocnienia mesjańskich idei romantyków: teraźniejszość jako teren zła i chaosu, poprzez cierpienie i zniszczenie, stała się uprzywilejowanym momentem ekspiacji, przygotowującym nadejście miasta Boga. Artykuł ten ma na celu analizę niektórych motywów z Raju Dantego, które zainspirowały niektóre z piękniejszych stron polskiej literatury romantycznej.
Despite the tormented national reality, the faith in the future redemption of Poland and the idea of change and purification gave birth in the works of the Polish romantics to the hope of salvation, of the advent of the divine kingdom on Earth. Undoubtedly an idea contributed to the birth of this optimistic vision, that was the conception of a Poland like the “Christ of the nations”, which took hold in the new mystical atmosphere of the early nineteenth century and which was combined with Christian eschatologism, revolutionary aspirations and hopes for the future redemption of history. The apocalyptic and millenarian motifs present in the Divine Comedy undeniably played a part in strengthening the messianic ideas of the romantics: the present from a fertile ground for evil and chaos, through suffering and destruction, became the privileged moment of expiation that prepared the advent of the city of God. The paper aims to analyze some motifs from Dante’s Paradise which inspired some of the most stunning pages of Polish romantic literature.
Il regno dei cieli in terra: ispirazioni e motivi del Paradiso dantesco nelle opere dei romantici polacchi
Andrea F. De Carlo
2022-01-01
Abstract
Despite the tormented national reality, the faith in the future redemption of Poland and the idea of change and purification gave birth in the works of the Polish romantics to the hope of salvation, of the advent of the divine kingdom on Earth. Undoubtedly an idea contributed to the birth of this optimistic vision, that was the conception of a Poland like the “Christ of the nations”, which took hold in the new mystical atmosphere of the early nineteenth century and which was combined with Christian eschatologism, revolutionary aspirations and hopes for the future redemption of history. The apocalyptic and millenarian motifs present in the Divine Comedy undeniably played a part in strengthening the messianic ideas of the romantics: the present from a fertile ground for evil and chaos, through suffering and destruction, became the privileged moment of expiation that prepared the advent of the city of God. The paper aims to analyze some motifs from Dante’s Paradise which inspired some of the most stunning pages of Polish romantic literature.File | Dimensione | Formato | |
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