The article discusses some early modern visual transpositions of the story of Myrrha’s transformation into a tree and of the birth of her son Adonis, which is contained in Book X of Ovid's Metamorphoses. With a focus on the different ways in which artists combine the human and the vegetal in their representations of Myrrha’s body, the article offers a reading of the visual texts, especially with respect to early modern cultural constructions of the female body.
Transposing Ovid’s Story of Myrrha: The Ideology of the Woman-Tree Figure in Early Modern European Visual Arts
Anna Maria Cimitile
2022-01-01
Abstract
The article discusses some early modern visual transpositions of the story of Myrrha’s transformation into a tree and of the birth of her son Adonis, which is contained in Book X of Ovid's Metamorphoses. With a focus on the different ways in which artists combine the human and the vegetal in their representations of Myrrha’s body, the article offers a reading of the visual texts, especially with respect to early modern cultural constructions of the female body.File in questo prodotto:
File | Dimensione | Formato | |
---|---|---|---|
2022 Cimitile - Woman-Tree Figure RANAM2022_compressed.pdf
solo utenti autorizzati
Tipologia:
Documento in Post-print
Licenza:
NON PUBBLICO - Accesso privato/ristretto
Dimensione
1.78 MB
Formato
Adobe PDF
|
1.78 MB | Adobe PDF | Visualizza/Apri Richiedi una copia |
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.