The article discusses some early modern visual transpositions of the story of Myrrha’s transformation into a tree and of the birth of her son Adonis, which is contained in Book X of Ovid's Metamorphoses. With a focus on the different ways in which artists combine the human and the vegetal in their representations of Myrrha’s body, the article offers a reading of the visual texts, especially with respect to early modern cultural constructions of the female body.

Transposing Ovid’s Story of Myrrha: The Ideology of the Woman-Tree Figure in Early Modern European Visual Arts

Anna Maria Cimitile
2022-01-01

Abstract

The article discusses some early modern visual transpositions of the story of Myrrha’s transformation into a tree and of the birth of her son Adonis, which is contained in Book X of Ovid's Metamorphoses. With a focus on the different ways in which artists combine the human and the vegetal in their representations of Myrrha’s body, the article offers a reading of the visual texts, especially with respect to early modern cultural constructions of the female body.
2022
Inglese
56
107
123
17
https://pus.unistra.fr/ouvrage/9791034401444/
Esperti anonimi
Ovid's story of Myrrha, early modern European visual representations.
Rivista di Classe A, sia a stampa che inclusa in OpenEdition Journals (open access).
Internazionale
no
1
Cimitile, Anna Maria
info:eu-repo/semantics/article
262
1 Contributo su Rivista::1.1 Articolo in rivista
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11574/217720
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