The article offers an initial reflection on what microhistory as a critical lens, in Carlo Ginzburg’s acceptation and practice, to the extent that it proposes the study of unique events as being central to the understanding of culture and ideas at given times, can do for a history of the book that keeps the reader in the picture.
Bookscapes through microhistory. Looking for the (un)common reader in early modern England
Anna Maria Cimitile
2023-01-01
Abstract
The article offers an initial reflection on what microhistory as a critical lens, in Carlo Ginzburg’s acceptation and practice, to the extent that it proposes the study of unique events as being central to the understanding of culture and ideas at given times, can do for a history of the book that keeps the reader in the picture.File in questo prodotto:
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