Chloé Delaume as pseudonym’s author and character of fiction come into being by quoting literature. Her literary project of identity regeneration, of "modifying the real", takes place within the autofiction, as a political and experimental practice. Her project requires the creation of a singular language, built with the words of her favorite authors, whose voices she makes alive by grafting them on her own. This article analyzes in her novel Une femme avec personne dedans, published in 2012, how the literature of the past is called upon in the creation, at several levels of the text: structural (hypotext of the Apocalypse according to Saint John and literary allusions in titles), textual (use of quotation marks and italics) and linguistic (literary quotations used for play on words and deeply integrated into her language).

S'écrire avec les autres. Chloé Delaume et le travail de la citation dans Une femme avec personne dedans

Sarah Nora Pinto
2020-01-01

Abstract

Chloé Delaume as pseudonym’s author and character of fiction come into being by quoting literature. Her literary project of identity regeneration, of "modifying the real", takes place within the autofiction, as a political and experimental practice. Her project requires the creation of a singular language, built with the words of her favorite authors, whose voices she makes alive by grafting them on her own. This article analyzes in her novel Une femme avec personne dedans, published in 2012, how the literature of the past is called upon in the creation, at several levels of the text: structural (hypotext of the Apocalypse according to Saint John and literary allusions in titles), textual (use of quotation marks and italics) and linguistic (literary quotations used for play on words and deeply integrated into her language).
2020
Chloé Delaume naît comme auteur et personnage de fiction par la citation. Son projet littéraire de reconstruction identitaire, de « modifier le réel », s’opère par l’autofiction, politique et expérimentale, et nécessite la mise en œuvre d’une langue singulière, construite avec la parole de ses auteurs fétiches dont elle revivifie les voix en les greffant sur la sienne. Cet article analyse dans son roman Une femme avec personne dedans, publié en 2012, comment la littérature du passé est convoquée dans la création à plusieurs niveaux du texte : structurel (hypotexte de l’Apocalypse selon Saint-Jean et allusions littéraires dans les titres) ; textuel (usage des guillemets et de l’italique) et linguistique (citations littéraires intégrées à sa langue sur le mode du jeu de mots par les procédés de la défiguration et du défigement).
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11574/224089
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