This article analyses Richard Powers’ The Overstory (2018) as a fictional testament to Donna Haraway’s (2016) philosophical exhortation to ‘stay with the trouble’. Haraway’s imperative stems from the observation of a world increasingly threatened by humanity’s ravenous consumption of natural resources. She proposes that we reconceptualise environmental crises not as isolated catastrophes, but as integral components of a ‘thick’ present: a densely networked, symbiotic reality demanding innovative solutions and novel forms of coexistence and kinship. In The Overstory, this metaphor is extended by interweaving the lives of nine individuals, each of whom is uniquely connected to trees. In the midst of a global ecological crisis, their stories illustrate different approaches to engaging with our environment. By exploring the intricate relationships between humans, nature and technology, the novel argues for a broader definition of kinship transcending genetic lineage and anthropocentric ethics in order to emphasize mutual growth and transformation within the complex web of life by defining kinship beyond genetic lineage and anthropocentric ethics. As well as promoting a holistic perspective beyond ruthless exploitation and mere stewardship, it encourages us to cultivate a sense of connection and responsibility beyond ruthless exploitation.

Caring in the ‘Thick Present’: Environmental Crisis, Ethics of Interconnectedness and Posthuman Ecologies in The Overstory by Richard Powers

Giuseppe De Riso
2025-01-01

Abstract

This article analyses Richard Powers’ The Overstory (2018) as a fictional testament to Donna Haraway’s (2016) philosophical exhortation to ‘stay with the trouble’. Haraway’s imperative stems from the observation of a world increasingly threatened by humanity’s ravenous consumption of natural resources. She proposes that we reconceptualise environmental crises not as isolated catastrophes, but as integral components of a ‘thick’ present: a densely networked, symbiotic reality demanding innovative solutions and novel forms of coexistence and kinship. In The Overstory, this metaphor is extended by interweaving the lives of nine individuals, each of whom is uniquely connected to trees. In the midst of a global ecological crisis, their stories illustrate different approaches to engaging with our environment. By exploring the intricate relationships between humans, nature and technology, the novel argues for a broader definition of kinship transcending genetic lineage and anthropocentric ethics in order to emphasize mutual growth and transformation within the complex web of life by defining kinship beyond genetic lineage and anthropocentric ethics. As well as promoting a holistic perspective beyond ruthless exploitation and mere stewardship, it encourages us to cultivate a sense of connection and responsibility beyond ruthless exploitation.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11574/242840
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