Between the 9th and 6th centuries BCE, a series of six Elamite rock reliefs depicting ritual ceremonies centered on one or two large-scale figures were carved in the mouth of Kul-e Farah, a gorge opening out into the highland valley of Izeh around 7 km from the modern township of Izeh in Khuzestan, southwest Iran. The author of only one of the reliefs at the Kul-e Farah open-air sanctuary is known: a certain Hanni of Ayapir, whose relief (Kul-e Farah I) is the most recently carved at the site. Hanni of Ayapir left a long inscription across his image in which he nominates himself as a vassal of the Elamite king Shutur-Nahhunte, son of Indada, who ruled sometime in the late 7th-early 6th century BCE. The earliest two reliefs at the open-air sanctuary; namely, Kul-e Farah IV and Kul-e Farah III, depict large ritual ceremonies involving around 140 and 200 participants respectively. Both emphasize an ideal of community with a well-defined internal social order. The later reliefs, Kul-e Farah VI, II, V and Hanni of Ayapir’s relief, lose interest in the communal aspect of the event, reducing the ritual scene to the essential participants. Although the political circumstances of the last few centuries of Elamite history remain shadowy, particularly in the highlands, the reliefs inform us that the rulers who commissioned reliefs at Kul-e Farah felt an imperative to assert their control over this significant cultic site in the strategically important Izeh valley.
Kul-e Farah Reliefs (eahaa00251), Wiley's The Encyclopedia of Ancient History Asia and Africa
Yasmina Wicks
2021-01-01
Abstract
Between the 9th and 6th centuries BCE, a series of six Elamite rock reliefs depicting ritual ceremonies centered on one or two large-scale figures were carved in the mouth of Kul-e Farah, a gorge opening out into the highland valley of Izeh around 7 km from the modern township of Izeh in Khuzestan, southwest Iran. The author of only one of the reliefs at the Kul-e Farah open-air sanctuary is known: a certain Hanni of Ayapir, whose relief (Kul-e Farah I) is the most recently carved at the site. Hanni of Ayapir left a long inscription across his image in which he nominates himself as a vassal of the Elamite king Shutur-Nahhunte, son of Indada, who ruled sometime in the late 7th-early 6th century BCE. The earliest two reliefs at the open-air sanctuary; namely, Kul-e Farah IV and Kul-e Farah III, depict large ritual ceremonies involving around 140 and 200 participants respectively. Both emphasize an ideal of community with a well-defined internal social order. The later reliefs, Kul-e Farah VI, II, V and Hanni of Ayapir’s relief, lose interest in the communal aspect of the event, reducing the ritual scene to the essential participants. Although the political circumstances of the last few centuries of Elamite history remain shadowy, particularly in the highlands, the reliefs inform us that the rulers who commissioned reliefs at Kul-e Farah felt an imperative to assert their control over this significant cultic site in the strategically important Izeh valley.| File | Dimensione | Formato | |
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