This paper aims to trace the elements of continuity between the work of Roberto Bolaño and that of Mariana Enriquez. To this end, we propose an approach centered on the reading experience, particularly in the elaboration of an individual process that later becomes a communal discourse. Through Wolfgang Iser's theory of reception and the concept of “de-appropriation” and “necro-writing” elaborated by Cristina Rivera Garza in Los muertos indóciles, this article links Bolaño's proposal (in particular from 2666) and Mariana Enriquez, with the reading experience and contemporary concerns, in search of the elements that make these works a privileged form of literary expression in the 21st century.

Todo lo que realmente pasa me pasa a mí. La maravilla de la experiencia lectora

Pezze
2025-01-01

Abstract

This paper aims to trace the elements of continuity between the work of Roberto Bolaño and that of Mariana Enriquez. To this end, we propose an approach centered on the reading experience, particularly in the elaboration of an individual process that later becomes a communal discourse. Through Wolfgang Iser's theory of reception and the concept of “de-appropriation” and “necro-writing” elaborated by Cristina Rivera Garza in Los muertos indóciles, this article links Bolaño's proposal (in particular from 2666) and Mariana Enriquez, with the reading experience and contemporary concerns, in search of the elements that make these works a privileged form of literary expression in the 21st century.
2025
9781917723411
Este trabajo pretende rastrear una continuidad entre la obra de Roberto Bolaño y la de Mariana Enriquez. Para tal efecto, se propone un enfoque centrado en la práctica de lectura, particularmente en la elaboración de un proceso individual que luego se convierte en discurso comunitario. A través de la teoría de la recepción de Wolfgang Iser y del concepto de “desapropiación” y “necroescritura” elaborados por Cristina Rivera Garza en Los muertos indóciles, este artículo vincula la propuesta de Bolaño (en particular desde 2666) y de Mariana Enriquez, con la experiencia lectora y las inquietudes contemporáneas, en busca de los elementos que hacen de estas obras una forma privilegiada de la expresión literaria del siglo XXI.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11574/249720
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