A comparative analysis of Bön Dzogchen and Westernmetaphysics that reveals shared concerns regarding the limits of conceptual thought and the role ofnon-discursive insight. Both traditions illustrate how metaphors move beyond their explanatoryrole to become cognitive tools for realisation, mediating access to the absolute nature of reality.This conceptual structure establishes a bridge between theoretical representation and directexperience, embodying a philosophical tension also found in Western reflections on metaphorand metaphysics. By drawing a parallel between the Bön tradition and Blumenberg’s analysis of Western thought, this paper explores a shared conceptual trajectory in which metaphor evolvesinto metaphysics, and light becomes an active agent for the realisation of absolute reality.
“From Metaphor to Metaphysics. The Triad of Metaphor,Meaning, and Sign in Bön Dzogchen Philosophy.”
Giacomella Orofino
2025-01-01
Abstract
A comparative analysis of Bön Dzogchen and Westernmetaphysics that reveals shared concerns regarding the limits of conceptual thought and the role ofnon-discursive insight. Both traditions illustrate how metaphors move beyond their explanatoryrole to become cognitive tools for realisation, mediating access to the absolute nature of reality.This conceptual structure establishes a bridge between theoretical representation and directexperience, embodying a philosophical tension also found in Western reflections on metaphorand metaphysics. By drawing a parallel between the Bön tradition and Blumenberg’s analysis of Western thought, this paper explores a shared conceptual trajectory in which metaphor evolvesinto metaphysics, and light becomes an active agent for the realisation of absolute reality.| File | Dimensione | Formato | |
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