The study outlines the main hermeneutical positions that have emerged within the scholarship on Mughal portraiture and its relation to European art. A special focus on the Darbar of Jahangir (MFA Boston) is applied. In conclusion, the study presents a research perspective on the artistic commensurability between the early Humanist tradition and Mughal painting.

Correnti ermeneutiche sul problema della ritrattistica in Asia Meridionale

Francesco Gusella
2022-01-01

Abstract

The study outlines the main hermeneutical positions that have emerged within the scholarship on Mughal portraiture and its relation to European art. A special focus on the Darbar of Jahangir (MFA Boston) is applied. In conclusion, the study presents a research perspective on the artistic commensurability between the early Humanist tradition and Mughal painting.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11574/256644
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