This essay discusses "Hamlet" as presented in four Italian productions in 2009:"Amleto" by A. Calenda; "Ex-Amleto" by R. Herlitzka; "Per Amleto" by M. Dalisi; "Kitemmurt" by G. Ventriglia. All of then underline the critical function of theatre as a mirror of life and show how Hamlet is still the character who best represents modern man and his attempt to find possible answers to the great life questions.
Titolo: | Le voci di Orazio. 'Amleto' nel teatro italiano contemporaneo |
Autori: | |
Data di pubblicazione: | 2010 |
Rivista: | |
Abstract: | This essay discusses "Hamlet" as presented in four Italian productions in 2009:"Amleto" by A. Calenda; "Ex-Amleto" by R. Herlitzka; "Per Amleto" by M. Dalisi; "Kitemmurt" by G. Ventriglia. All of then underline the critical function of theatre as a mirror of life and show how Hamlet is still the character who best represents modern man and his attempt to find possible answers to the great life questions. |
Handle: | http://hdl.handle.net/11574/39034 |
Appare nelle tipologie: | 1.1 Articolo in rivista |
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