Marjane Satrapi’s comics (Persepolis, Chicken with Plums, Embroideries) are focused on Iranian society and politics from the 1953 revolution to the establishment of the Khomeinist Islamic regime and the war against Iraq, seen through the eyes of the Author’s family and friends. The characters move in a world where Iranian law set the background that allows the comprehension of certain social behaviours; the law is also behind obscure phenomena such as the disappearance of political opponents whose fate is clarified by imagining the machine of (in)justice at work. The author in her linguistic and graphic style uses irony and bitterness to represent Iranian society and emphasize the female resilience
La nona arte in Iran: diritto e società nei fumetti di Marjane Satrapi
scolart
2023-01-01
Abstract
Marjane Satrapi’s comics (Persepolis, Chicken with Plums, Embroideries) are focused on Iranian society and politics from the 1953 revolution to the establishment of the Khomeinist Islamic regime and the war against Iraq, seen through the eyes of the Author’s family and friends. The characters move in a world where Iranian law set the background that allows the comprehension of certain social behaviours; the law is also behind obscure phenomena such as the disappearance of political opponents whose fate is clarified by imagining the machine of (in)justice at work. The author in her linguistic and graphic style uses irony and bitterness to represent Iranian society and emphasize the female resilienceI documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.