Sfoglia per Afferenza DIPARTIMENTO STUDI LETTERARI, LINGUISTICI E COMPARATI
'When Was Modernism?': Towards an Interstitial Cartography of Australia’s Modernity
2011-01-01 Russo, KATHERINE ELIZABETH
Where Awareness and Empowerment Meet.” In L. Landolfi (ed.). Framing Minds. English and Affective Neurosciences
2018-01-01 Landolfi, Liliana
‘Who Do You Want Answering the Phone?’ Donne, leadership e trauma nelle serie TV degli anni 2000
2016-01-01 Izzo, Donatella
"Who Thinks I Should Fly the Plane?" Leadership, Charisma, Expertise, and Other Superstitions
2019-01-01 Izzo, Donatella
Whodunit? Agatha Christie's Detective Fiction and the 'Oblique'Translation of Murder on the Orient Express under Fascism
2018-01-01 Federici, Eleonora
“A Whole Lot of Sunlight”: Urban Segregation and the Pursuit of Utopia in Lorrraine Hansberry’s A Raisin in the Sun and Bruce Norris’s Clybourne Park.”
2016-01-01 Bavaro, Vincenzo
"Who’s Afraid of Conchita Wurst? Drag Performers and the Construction of Multimodal Prosody"
2017-01-01 Balirano, Giuseppe
Who’s Afraid of the Virgin Wolf? Revisiting Stereotypes Through Angela Carter’s Looking Glass
1995-01-01 Cimitile, Anna Maria
Who’s Ready for Relocation? A Critical Multimodal Discourse Analysis of Amsterdam’s and Milan’s Bids for the European Medicines Agency
2021-01-01 Aiezza, Maria Cristina
‘Who’s to Pay for Brexit?’ A Corpus-Assisted Critical Discourse Analysis of Online Communications by European Banks
2021-01-01 Aiezza, Maria Cristina
"Why Had I not Mr. Ruskin's Power to Create Landscapes with Words?": Sketching, Naming and Representing the Dolomites in Amelia Edwards's Untrodden Peaks and Unfrequented Valleys
2017-01-01 Federici, Eleonora
The widest expanse of water: Spaces and Itineraries of Mediterranean Dante.
2019-01-01 Morosini, Roberta
Wie 'Der Raeuber Hotzenplotz' zum 'Brigante Pennastorta' wurde und dabei so manche Feder lassen musste
2010-01-01 Haeussinger, Barbara
Wie die Monate das Jahr
1991-01-01 DI ROSA, Valentina
Wie viele Flexionsklassen verträgt die italienische Nominalflexion?
2012-01-01 Teresa Bianco, Maria; Lima, Elvira; Palermo, Silvia; Tonelli, Livia
Wie wird das Mittelmeer erzählt? Synästhetische Bilder und Farbwörter aus dem deutschsprachigen Kulturraum
2018-01-01 Sgambati, Gabriella
Wilfrid Besnardeau, Représentations littéraires de l’étranger au XIIe siècle. Des chansons de geste aux premières mises en roman, Paris, Champion, 2007, pp. 872 («Nouvelle Bibliothèque du Moyen Âge», 83)
2010-01-01 Luongo, Salvatore
William Gibson e Pat Cadigan: il cyborg e le nuove configurazioni del corpo in una prospettiva comparata
2007-01-01 Federici, Eleonora; Fortunati, V.
“William Kentridge rilegge Laurence Sterne. Sulle tracce incerte di un naso (s)cortese”
2021-01-01 Laudando, Carmela Maria
William Shakespeare e il senso del comico. La commedia come terreno di sperimentazione
2019-01-01 DE FILIPPIS, Simonetta
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